I run a one-person production company that shoots, edits, and finishes brand work end to end | the same range this role asks for: 70% cutting, 30% in the field. Most of what's below was shot on the same coastline Outerknown builds for, on the same instinct toward things made to outlast a trend cycle.
Why this role
Outerknown's brief, elevated, sustainable, story-first, is the same brief I give myself on every job. I shoot Super 8 and 16mm alongside digital because texture and restraint sell a product better than polish alone.
How I work
Solo creative director and editor, with a rotating bench of freelance shooters, colorists, and audio mixers I bring in and manage per project, the same freelance-resource model this role calls for.
What's below
A brand-film suite, a run of 16mm work, and a set of vertical, social-first cutdowns, grouped the way a brand team would actually receive them.
Brand Films
Founding stories and mission films | the long-form side of the role, built for site, YouTube, and pitch decks.
16mm
Campaign work shot on analog film.
More
Product-forward and water-based footage
Capabilities
What "70% edit, 30% shoot" looks like in practice.
Editing
Long-form brand narrative down to 15, 30, & 60-second cutdowns. One project, every deliverable size a channel needs.
Production
DSLR, mirrorless, and cinema formats alongside Super 8 and 16mm. Comfortable running a shoot solo or directing a small crew.
Color & Finish
Grading, audio mix, motion type, and subtitles handled in-house before anything ships to a client.
Concepting
RFP responses, treatments, and shot lists written and pitched directly to clients. Not handed a brief, building one.
Freelance Management
Sourcing and directing freelance shooters, colorists, and mixers per project, within a set budget.
Asset Organization
Structured raw footage and project archives built for handoff, a habit any DAM workflow benefits from.
Client Management
Own the relationship end to end: proposals, production, delivery, for every project GlowDay takes on.
Formats
Native fluency across 16:9, 9:16, and 3:2, because the same shoot day now needs to feed five different channels.
Vertical & Social-First
Event coverage, campaign cutdowns, and paid-social variants.